Mezzo-soprano, Sarah Coit’s recent credits include Angelina in La Cenerentola with Wichita Grand Opera, the title role in Donizetti’s Maria Stuarda with Opera Baltimore, Hansel in Hansel and Gretel with Utah Opera, Handel’s Messiah with Portland Baroque Orchestra, and Diana in Cruzar la Cara de la Luna with Opera San Antonio. Her 25/26 season includes the title role in  Massenet’s Cendrillon with Vashon Opera, Miss Jessel in Britten’s The Turn of the Screw with Opera Tampa, Handel’s Messiah with Glacier Symphon y, Rosina in The Barber of Seville  with Knoxville Opera, and multiple concert appearances with American Bach Soloists in San Francisco including the Pergolesi Stabat Mater. Other career highlights include the roles of Fariba/Wife #3 in the premiere of A Thousand Splendid Suns with Seattle Opera, Laurene Powell Jobs in The (R)evolution of Steve Jobs with Utah Opera, Sesto in Giulio Cesare with West Edge Opera, Komponist in Ariadne auf Naxos with Arizona Opera, and Stéphano in Roméo et Juliette with San Diego Opera. A native of Spring Hill, FL and a current resident
of Philadelphia, Sarah is a graduate of the University of South Florida and received her Masters from the University of Michigan.